I selected Jan van Eyck’s Portrait of a Man (also known as Man in a Red Turban) to analyze for this assignment. It was painted in Bruges, Belgium on October 21, 1433. The reason I chose to write about this work over others from the Northern Renaissance was that it stood out to me as being very detailed and lifelike; it could even be mistaken for a photograph at first glance, which I find impressive. Van Eyck manages to incorporate every wrinkle on the face and each twinkle of the eye using oil paints, something other artists may overlook or find difficult to portray in their work. While the clarity of the physical features of the man in the painting is quite remarkable, even more stunning is the way in which van Eyck captures the personality of the man. He looks calm yet stern with his tight lips and dubious stare, leading some people to believe that the painting is a self-portrait. Many artists depicted themselves as confident, forthright, and proud because the status of an artist was uncertain during the Northern Renaissance. Whether or not the painting is of van Eyck, it is definitely a sight to behold.
Portrait of a Man embodies several characteristics of humanism. As I mentioned before, it is highly realistic. The photograph-like quality of the painting screams humanism. It celebrates the human body, portraying it as realistically as possible. Also, this painting is not of a religious figure, nor is it of a royal person. The man displayed in this piece is a commoner. This highlights humanism because there is a separation from the church. In years past, most art incorporated some religious figure, but during the Northern Renaissance there was a shift towards displaying the everyday man. This painting is an example of humanism at its finest.
Works Cited
http://www.backtoclassics.com/gallery/janvaneyck/themaninaredturban/
http://thenewinquiry.com/blogs/dtake/why-is-this-man-wearing-a-turban/